
SPONK at the Summerjam Festival 2025
When everything revolves around reggae, dancehall, hip-hop and afrobeats at Fühlinger See in Cologne from July 4 to 6, 2025, music will meet visual magic,

When I received confirmation for SwissArtExpo 2025, I knew immediately that this would be a milestone. My first exhibition in Switzerland – and I didn’t just want to be there, I wanted to make a clear statement. A picture of my signature style, my perfection, my passion.
I worked tirelessly for five weeks. While one work was drying, I was already starting the next. This resulted in monumental paintings, each with its own story and expressiveness:
This meant I was represented in all formats – from small works to huge 2 x 2 meter canvases.


The lion became my centerpiece. Its eyes were the shining center – majestic, penetrating, and full of dignity. Here I combined classic painting techniques with the utmost precision. Every line, every glimmer, every detail was a commitment to my art.
On his forehead, he wears a feather that stands for wisdom, strength, and dominion. It was not a lion of ferocity, but one of intelligence—a ruler whose power cannot be taken away.
For the first time, I signed my works with a lettering style I developed myself: razor sharp, clear, and unmistakable. It is a seal of quality that harmoniously complements each work and has become my trademark.
SwissArtExpo took place at Zurich Central Station, one of the largest and busiest train stations in Europe. There, where hundreds of thousands of people pass through every day, international art meets travelers, collectors, and strollers. The atmosphere was unique: between historic halls with rich architecture and a cosmopolitan, curious crowd, the works of artists from all over the world shone brightly.
And right in the middle of it all: my paintings.
After just a short time, I noticed that people were stopping. They pointed at my works, came closer, discussed them, and took photos. The children beamed at the smileys, and the adults leaned in close to understand the technique. Again and again, I heard phrases like, “This is the most impressive thing I’ve ever seen. Master class.” These words were the greatest reward for me.




SwissArtExpo was not only an exhibition, but also a place to meet people. Over three days, I got to know artists from all over the world and exchanged ideas and visions with them. These contacts, this energy, this international environment—all of this will stay with me for a long time to come.
The demand was enormous—my card holders were empty every day and my name spread among the visitors. But the greatest gift was the response: people who paused, were moved, and reacted with enthusiasm.
For me, SwissArtExpo was not just an exhibition. It was the moment when my art entered the international stage—in the middle of Zurich, in the heart of Europe. And I knew: this is just the beginning.
Each of my works carries this energy within it. When you purchase a painting, you not only receive a work of art, but a piece of this journey, shaped by passion, precision, and emotion.

When everything revolves around reggae, dancehall, hip-hop and afrobeats at Fühlinger See in Cologne from July 4 to 6, 2025, music will meet visual magic,

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